Hero to a generation of younger artists, Joan Jonas is a pioneer of performance and video who has pushed the boundaries of art for the last five decades.
Experience the largest exhibition of Jonas’s work ever held in the UK. Early works from the late 1960s are shown alongside recent installations dealing with topical themes such as climate change and extinction. You can see her landmark installations including Lines in the Sand, The Juniper Tree and Reanimation.
BREADROCK is a new film and sculptural installation for PEER, by artist collective Fourthland (Louise Sayarer and Eva Knutsdotter) and artist and filmmaker Rosalind Fowler. Reflecting on a ten-year collaboration with the diverse communities of Wenlock Barn Estate in Hackney, East London, the work is a visceral homage to cultural history, memory and universal myth. Melding experimental and ethnographic filmmaking, the work presents a series of staged vignettes drawing on the rituals and artefacts of the Estate’s Bangladeshi, European, Kurdish, Serbian, Turkish, Ugandan and West Indian communities, to create new kinships and myths.
Dont’ mis sthis from Sonia our own UAL Chair of Black art!
1 Feb 2017 – 16 Apr 2017
Sonia Boyce presents a new body of work created especially for the ICA. We move in her way involves the exploratory vocal and movement performances of Elaine Mitchener, Barbara Gamper and her dancers Eve Stainton, Ria Uttridge and Be van Vark, with an invited audience. A multi-media installation has been generated from the documentation of their open-ended live performance. The title of the work suggests two possible readings: that ‘she’ dictates our movements; or that we obstruct ‘hers’, with both interpretations suggesting power is at playNotions of difference and relatedness make reference to the enduring influence of Dada within We move in her. Processes of collaborative improvisation are exemplified in the piece, referencing the Brazilian artist Lygia Clark in the late 1960s and 70s. Some of the masks worn by the audience are a re-working of Sophie Tauber’s Dada Head (1920) – itself an appropriation of Oceanic sculpture. The final artwork takes another playful turn to create a multi-layered and multi-media installation..
just one week to see this show – of great interest to those curious about exploring the body in art- and the intersection between dance/film/installation
London-based investigative arts organisation Siobhan Davies Dance premiere an ambitious new installation comprised of multiple pieces by choreographers, visual artists, scientists and designers. Exploring how the body feels when in the act of doing, the installation includes live performance, film projection and objects that are presented as an ever-changing arrangement. Each of the works draws upon the library and practices of the art historianAby Warburg, who collected diverse images of gestures from different times and places and positioned them side-by-side to reveal previously-hidden relationships
A Hayward Gallery off-site exhibition presented
in collaboration with The Vinyl Factory at The Store, 180 The Strand.
I have heard this is excellent- a must see!
The Infinite Mix: Contemporary Sound and Image brings together audiovisual artworks that are soulful and audacious in their exploration of a wide range of subjects. In all of the works in this exhibition the interplay between moving image and sound is crucial. Most of the artists have composed, commissioned or remixed soundtracks that relate to the visual element of their work in unexpected ways, and ensure that what you hear is just as important as what you see.
Friday September 9th – Sunday December 4th….Free entry
South African artist William Kentridge (b.1955, Johannesburg) is renowned for his animated expressionist drawings and films exploring time, the history of colonialism and the aspirations and failures of revolutionary politics.
In this major exhibition of six large-scale installations by the artist, music and drama are ruptured by revolution, exile and scientific advancement.
This Also at Whitechapel- is very much worth a look.. and it’s free…
Characteristically deploying their strategic combination of humour, information, bold graphics and a subversive use of public space, their latest campaign includes a banner installed on the front of the Gallery and a display of posters and new research.
Welcome to the Cosmic Care Home
The Cosmic Care Home
We operate our Home in a transparent, open manner. We are just off the shelf, and we therefore welcome visitors and inspections from all relevant regulatory bodies, of the shelf, or otherwise. Our care, within the Cosmic Care Home, is a home for the Gold Ones.
Recent issues where computer programs and algorithms have incorrectly identified people and objects have started to open a wider debate about the socio-political ramifications of such misrepresentation. Artist Max Dovey – whom we first profiled in Imperica back in 2011 – is addressing these issues head-on in his new work, How to be more or less human.
William Hunt’s practice is primarily performance-based. In recent years he has presented a number of elaborate scenarios for galleries in which he performs music in physically restrictive conditions; often the residue of these actions might be left as a sculptural installation. Hunt investigates the communication of human emotion and its relationship to the creative act.